Portia is the heroine of William Shakespeare's The Merchant of Venice. A rich, beautiful, and intelligent heiress, she is bound by the lottery set forth in her father's will, which gives potential suitors the chance to choose between three caskets composed of gold. Merchant of Venice by William Shakespeare. Discuss with other readers. A Tedious Brief Look at Shakespeare's THE MERCHANT OF VENICE 'Here's much to do with hate, but more with love,' says young Romeo Montague. In Venice, the epicentre of consumption, speculation and debt, Bassanio borrows money from his friend Antonio to finance his attempt to win the hand of Portia, a wealthy heiress. Antonio, in turn, takes out a loan from the moneylender Shylock. The Merchant of Venice Reviews. Sorry, machine translation. It has no hands, organs, limbs, senses, affections, passions? Not nourished by food? He does not feel the wounds? He is not subject to the ills? Visit this William Shakespeare site including the full online text and script of his famous play Merchant of Venice. Educational online resource for the William Shakespeare play Merchant of Venice with the full text and script. Comprehensive free online text and.![]() Summer and winter are not hot and cold for a jew as a Christian? If you prick us, do not do blood? Do not die if you poison us? So, if we offended and abused, we should not think of revenge? If you are the same for the rest, well want to look like this! Lost my chance indeed! So goodbye hope, and hello despair. Portia, goodbye to you. My heart’s too sad for long goodbyes. Losers always leave quickly. The Merchant of Venice was first printed in 1600 in quarto, of which nineteen copies survive. This was followed by a 1619 printing, and later an inclusion in the First Folio in 1623. The play was written shortly after Christopher Marlowe's immensely popular Jew of Malta (1589), a play wherein a Jew. Certainly my conscience will serve me to run from this Jew my master. The fiend is at mine elbow and tempts me saying to me 'Gobbo, Launcelot Gobbo, good Launcelot,' or 'good Gobbo,' or good Launcelot Gobbo, use your. Quick Index to Events in Shakespeare's The Merchant of Venice. His conscience tells him he shouldn't, but the fiend tells him he. Truly authentic venetian masks imported directly from Venice. LA COMMEDIA (9 item) - 7 available These masks are a representation of 'La Commedia' style, which includes 'Pantalone, Arlecchino, Pulcinella', plus Pinocchio, and several other characters. ![]() ![]() Scenes (20 total) Complete Text Act I Scene 1. A room in PORTIA’S house. A room in PORTIA’S house. If a Christian is offended by a jew, as he shows his famous charity? And if a Christian offends a jew, as these may prove to be tolerant if not, his example, in revenge? I did nothing but build on the villainy you teach me that, and will be very difficult for me to stay below the masters. I leave you to decide. One thing is certain, the list of the works of Shakespeare in 1. The Merchant of Venice, among the comedies. This collection is called the First Folio. I do not participate in the drawing rooms of the learned Wednesday night at the royal residence of Margaret of Savoy (1. Bilderbergers. My intention is to create a little 'interest in young people, for an author, Shakespeare, who has a wonderful talent. Arouses curiosity through its beautiful and colorful characters. And so, one day, by chance, I find myself in your hands a book of the History of English Literature at a certain Mario Praz (Rome, September 6, 1. Rome, March 2. 3, 1. I discover, , as an adult), after reading a few pages sparks. I think that curiosity can also be caused, induced. Come on teachers, better go to the movies that . From young adult, I find again that the prof. Mario Praz get awards and titles. An Italian who writes the best English literature. Sorry if it is little. The director Michael Radford, bolstered by a strong cast, led by a text driven, has created a masterpiece. Why not take advantage? I invite the young, old, film lovers to the vision of this work. I extend the same invitation to teachers of all levels. Bassanio (Joseph Fiennes) is a noble, young, instinctive and impetuous, and too wasteful in love. But Portia (Lynn Collins). The fair Portia lives in Belmont and that's where Bassanio must show all his skills, thinking, speaking, in deciding. A great mystery, to be resolved, it expects .. Here's the idea, why not turn to Antonio? Bassanio is sure to aid Antonio. Antonio is a merchant. Carries on business in Venice. Most of all, argue that Bassanio and Antonio .. I said, Antonio has all his fortune at sea. So, no, at the time, hard cash. Shylock is a jew devoted wear. He lives with his community in a . The term ghetto was coined in that period. Anthony also makes loans, but unlike Shylock .. This thing of loans and many more of Antonio, Shylock does not go down. Shylock has a reaction .. Seize the opportunity to have Antonio as its debtor. Devises a daring and bizarre plan for its money does not pretend money, but .. Of course all this if at the end, Antonio, does not return the full amount. For Shylock, this is too much. Among other things, Lawrence is a .. Prejudice in Shakespeare’s Othello and The Merchant of Venice. In both of Shakespeare’s plays, “Othello” and “The Merchant of Venice”, there are several instances in which the non- white and non- Christian characters are marginalized and are often the victims of prejudice and outright racism. This occurs in both “Merchant of Venice” and “Othello” particularly through the use and power of language and terms of reference. What is most fascinating about this seeming racism and bias against these characters, Othello and Shylock, is that they aren’t represented in either text as completely fitting the villainous or negative stereotypes other characters wish to put them in. Both Othello and Shylock are presented as sympathetic to varying degrees and although they posses several character flaws that some of the white and Christian characters wish to attribute to their race (Jewish as greedy and heartless and Moors as savage and barbarous) Shakespeare does not completely rely on these stereotypes to draw his characters of these two men. Although. Shylock is indeed money- hungry, greedy, and oftentimes heartless, he is still portrayed sympathetically at points and his faults are not shown to be something associated with his race. Othello, most notably at the end of the play commits a savage act, but throughout the rest of the text, he is shown to be mild- mannered and exceptionally “civilized” as a general and aristocrat. This softening allows the characters to be represented as more rounded, but the fact still remains that racial bias and outright racism and prejudice are present in both texts. In “The Merchant of Venice”, the Jewish moneylender, Shylock (full character analysis here) seems to fit the stereotype common in Shakespeare’s time of the greedy and unfeeling Jew. Although we are not told about the racial bias by any narrator, several of the characters refer to him using racial epithets, Antonio in particular. Although stated in the past tense, as Shylock accumulates the bill for Antonio, he cannot help but remember the times he had been termed as a “misbeliever, cut- throat, hound” and all the times that Antonia has, as stated in one of the important quotes from “The Merchant Venice” by Shakespeare, “spit upon . Although Antonio is the most guilt of throwing out the racist insults, there is always the background cacophony of these ideas being bandied about amongst the several minor characters. For example, when Shylock believes he is losing his daughter, the “throwaway” characters, Salerio and Solanio attempt to express Shylock’s feelings by exclaiming in one of the important quotes from “The Merchant of Venice” by Shakespeare, “My daughter! O, my daughter!” suggesting that Shylock ranks his wealth equal to that of the love of his family (II. In The Merchant of Venice, it doesn’t seem to matter who is making the racist comments since the fact remains that these statements are so apparent throughout the text that they cannot be ignored or put aside. The reader is not allowed to forget that Shylock is foreign and subject to stereotypes and only at rare moments are we allowed to see the humanity and great sympathy he is capable of. He seems, very much like Othello at once very aware of his status as an outsider and attempts (although through different means) to handle this. Even though Othello is humble about his race in the face of so many slights from his enemies, he seems to bow down to the pressure and put himself “below” what he is really is—a well- spoken and interesting gentleman that happens to be a Moor. He states, “Rude am I in my speech, / and little blessed with the soft phrase of peace” (I. Shylock, on the other hand, handles this quite differently. Instead of bowing to the social pressures that demand he be more “Christian” in his lending business and other matters, lashes out and refuses to do so. He is angry at the slurs and treatment, therefore much unlike Othello, he seeks to enhance his difference by being cruel. To the reader it may seem at first as though he is simply embodying these stereotypes, but as his character develops, we see that he is merely frustrated with the comments of white characters like Antonio, thus is seeking merely to react with mutual cruelty. Even though Shylock cannot be completely taken out of the stereotypical context since he does exhibit many of the same features the characters mock him for, we cannot be allowed—as the result of constant reminders throughout the text—to forget that he is Jewish, just as the reader cannot let themselves forget that Othello is a Moor. In Othello, there is not one scene that is devoid of at least some reference to his status as “other” or black. The difference between the representations of Othello versus Shylock is that there seem to be a few less stereotypes associated with Moors than there exist for Jews. Othello, unlike Shylock is seen as an exotic and desirable personage, mostly because of his status in society, but also because he is someone unique. Strangely though, one cannot ignore the marginalization and prejudice that occurs amongst the white characters from the very beginning of the play. It is not until well into the text the reader is given a name to associate with the less than flattering descriptions of simply, “These include “the Moor” (I. I. i. 6. 6), “an old black ram” (I. Barbary horse” (I. These racism laden descriptions in Othello associate him with something less than human and certainly not with the desirable and noble person we are finally acquainted with later in the text. In fact, once we are introduced to Othello, there is no doubt that he is a fantastic and impressive figure and everyone seems enamored with him. Quite unlike the undesirable associations of being a Jew in the case of Shylock, Othello’s stories of “otherness” impress others and even seems to know this himself. When asked about his winning of Desmonda, he merely replies, “. Unsurprised by this tale of winning love, the Duke responds,” I think this tale would win my daughter too” (I. The representation of Othello as apart from the stereotyoes is very much a seesaw relationship between racially driven bias and admiration of the other, which is what sets the differences between Shylock and Othello as characters in the midst of discrimination apart. Just as Shylock seems to embody some of the stereotypes placed upon him, so too does Othello. After he has committed the murder of his wife, he laments, saying “Like the base Indian, threw a pearl away/ Richer than all his tribe” (V. One has to wonder if this quote means that Othello feels that he has succumbed to the stereotype of being a “Moor” and a savage since his normally haughty speech has been reduced to addressing himself to a “base Indian,” one who is unfit for the civilization he has now found himself cast out from. In many ways, it seems as though Shakespeare, by choosing such language for the character of Othello, is attempting to cause us to pity him. Although the reader already has some sympathy for him since he is obviously, throughout most of the play, marginalized and the victim of prejudice because of his status as an outsider, this final act causes some conflicting feelings and makes us realize that perhaps what he did was in fact savage. Much as in The Merchant of Venice, we are being constantly reminded of Othello’s and Shylock’s status as “other” and by the end of each play, it seems this status has somehow been resolved. In the case of Othello, he has verified the stereotypes by committing a rash and brutal murder (even if Desmonda seems to forgive him and even though the audience understands he was the victim of deceit). In Shylock’s case, he goes against these stereotypes by almost admitting that being a Jew is wrong, thus converting to Christianity. Moreover, Shylock, unlike Othello, makes a direct appeal to the audience for sympathy and understanding when he pleads in one of the important quotes from ? Hath not a Jew hands, organs, dimensions, senses, affections, passions . If you prick us do we not bleed? If you tickle us do we not laugh? If you poison us do we not die?” (III. He wants to emphasize his humanity and sameness despite all of the racially motivated criticism he faces from he peers and wishes the audience to see that much of his seeming cruelty is not so much the result of being Jewish (thus being subject to any number of stereotypes) but because he is constantly being upbraided and demeaned because of being Jewish. Both of these texts, while filled with racist comments and stereotypes, nonetheless succeed in presenting the reader with a “whole” picture of both Shylock and Othello. While, as mentioned above, both men do adhere to certain stereotypes that they are criticized for (Othello as being still essentially a savage because of his race and Shylock, a greedy money- lover that is cruel and exacting) they are not represented as being only what the stereotypes dictate. For example, in The Merchant of Venice, Shylock finds out that Jessica has given the ring from his wife away in exchange for a monkey, he is grief- stricken—not because the ring was valuable, but rather because it was personally precious to him. I would not have given it for a wilderness of monkeys” (III. We are informed that the ring is not of diamond or pearl, but of a non- precious stone. This is also the first time we are given much information about the inner life of Shylock, proving that he is capable of love and emotional attachment. This is truly a heartbreaking scene, not just because the reader realizes that the story of the ring is itself sad, but because we realize the Shylock, much like he claims in his self- justifying speech mentioned previously, is very much human and given to the same desires and passions of the white characters rather than being a mere stereotype of a Jew in Shakespeare. The reader begins to feel much the same way about Othello’s humanity, even after he murders his wife.
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Filmography: Pakawalan Mo Ako (1. Hindi lang naman kayo ang ang unang nagparatang sa akin ng ganyan. Kung sa inyo lang ay malinis ang aking konsensiya! Lacaba, Iskho Lopez, Mauro Gia Samonte; Cast: Vilma Santos, Christopher De Leon, Anthony Castelo, Deborah Sun, Subas Herrero, Mila Ocampo, Ed Villapol; Executive producer: Marichu Maceda; Original Music: Lutgardo Labad; Cinematography: Johnny Araojo; Film Editing: Jose Tarnate; Production Design: Angel Tantoco; Sound: Gaudencio Barredo; Theme Songs: “Dati” performed by Anthony Castello; Production Co: MVP Pictures; Release Date: 2. May 1. 98. 1 (Philippines) – IMDBPlot Description: When Ana’s (Vilma Santos) father died they experience hardship. ![]() Napilitan siyang magtinda ng sabon at tumigil sa pag- aaral. Sa kabila nito hindi siya humingi ng tulong sa katipan na si Freddie Villasenor (Christopher De. Leon). Dahil sa hirap ay napilitang pumasok si Ana sa isang escort service sa tulong ng kanyang kaibigang si Bernadette Santos (Deborah Sun). Nakilala ni Ana si Bernard San Diego (Antony Castelo) sa kanyang trabaho bilang escort girl. Sa gabing iyon nakita siya ng kapatid na babae ni Freddy. Nang yayain ni Freddy si Ana para magpakasal pumayag na ito at pumunta siya sa bahay ni Freddy para makilala ang pamilya ni Freddy. Pakawalan mo ako (1981) Quotes on IMDb: Memorable quotes and exchanges from movies, TV series and more. ![]() ![]() Filmography: Pakawalan Mo Ako (1981) Basic Information: Directed: Elwood Perez; Story: Pete Lacaba; Screenplay: Jose F. Lacaba, Iskho Lopez, Mauro Gia.Hindi nila alam ay inimbitahan ng kapatid ni Freddy si Bernard San Diego. At sa hapag ng kainan ay binisto nito ang tunay na trabaho ni Ana. Umalis nang umiiyak si Ana at nagkagalit sila ni Freddy. Pinuntahan ni Bernard si Ana para humingi ng paunmanhin ngunit naabutan sila ni Freddy at nag- away sila ni Bernard. Inakala ni Freddy na talagang may relasyon si Bernard at Ana kung kaya iniwanan niya ito. Nagbalik si Ana sa kanyang trabaho. Nagkaroon ng secret admirer ito. Yung pala ito ay si Bernard. Nalaman rin ni Ana na buntis siya at ang ama ng dinadala niya ay si Freddy. Inalok ni Bernard si Ana ng kasal at pumayag naman ito sa kabila ng pagtutol ng kanyang mayamang ama. Lumaki ang bata at apat na taon na ito nang magdesisyon ang ama ni Bernard na tigilan na ang pagsasama ng dalawa. Inalok si Ana ng malaking halaga ngunit tumutol ito. Nang umalis ang ama ni Bernard ay pinaiwan nito ang isa sa kanyang mga tauhan para gahasain si Ana. Dumating si Bernard at nagaway sila ng tauhan ng kanyang ama. Sa kaguluhan ay nabaril ng tauhan ng kanyang ama si Bernard mismo. Sinet- up ng ama ni Bernard si Ana. Pinakulong at kinuhang abogado si Freddy. Sa hukuman ay nakuhang magduda ni Freddy sa dating katipan. Nagpunta ito sa bahay ng ina ni Ana upang kausapin ang batang anak ni Ana. Natuklasan ni Freddy ang tutuong nangyari at ang testigo ay ang anak ni Ana. Sa closing ng kaso ay inihayag ni Freddy na walang kasalanan si Ana at ang pumatay kay Bernard ay ang tauhan ng sarili nitong ama. Napawalang sala si Ana at nalaman ni Freddy na ang bata. Tumabo ito sa takilya at nagbunga ng pagkapanalo ni Ate Vi ng Best Actress mula sa Famas para sa taong ito. Prinudyus ng Sampaguita Pictures, ang . Mula umpisa hanggang sa huli. Markado ang papel ni Vilma at makikita ito sa mga eksena sa kulungan at hukuman. Ang Pakawalan Mo Ako ay mula sa panulat ni Pete Lacaba at iskrinplay nina Pete Lacaba, Mao Gia Samonte at Isko Lopez. Kung ikukumpara sa mga ibang pelikula ni Elwood Perez mas pulido at makatotohanan ang mga eksena. Tulad ng konprontahin nga ma ni Bernard si Ana sinabi nito na: ! Hindi lang naman kayo ang unang nagparatang sa akin ng ganyan! Merong mahahabang linya si Christopher De. Leon sa bandang huli at nakuha naman niyang bigyan ng buhay ang papel niya bilang abogado ng taga- usig kahit na parang pilit ang pagpapalit niya ng panig para sa tagapagtanggol sa bandang huli, sa kanyang closing remarks. Alam niya marahil na talagang pelikula ito ni Ate Vi. Mahusay rin ang pagganap ni Antony Castelo bilang isang matigas na ulong anak ng isang mayaman. Sa papel na ina ni Ana, nakaka- distract ang hindi tunay na boses ni Mila Ocampo. Bilang ama ni Bernard San Diego, very one- dimensional ang papel ni Subas Herrero. Ang pinakanakakatuwang papel ay ang papel na kaibigan ni Ana na ginampanan ni Deborah Sun. Meron siyan eksena sa hukuman kung saan tumistigo siya at natural na natural ang pagkababaeng bakla niya. Mabilis ang pacing ng pelikula at walang mahusay ang pagkakaedit nito. Hindi ako nagtaka kung bakit nanalo si Ate Vi para sa pelikulang ito mula sa Famas. Ito rin ang bale hudyat ng pagsibol ng bagong Vilma Santos pagpasok ng dekada otsenta dahil sa sumunod na taon ay nagkasunod sunod na ang parangal sa pagarte ni Ate Vi mula sa iba. The first one was the trilogy that he co- directed with two other director, Borlaza and Gosiengfiao (these three are the most underrated and under appreciated directors in the Philippines), the remake of Mars Ravelo comic super hero, Darna in Lipad Darna Lipad. The film was a record- breaking hit Box- office Film. They follow this up with a more mature projects as Vilma started to switched her image from sweet to a mature/versatile actress, pairing her with Christopher De. Leon in five films starting with Masarap Masakit Ang Umibig in 1. The Perez- Santos- De. Leon team produced several blockbuster hits and also gave Vilma two FAMAS best actress awards. I was one of the lucky ones who managed to get in. My college mates weren. They got stocked in the pandemonium outside. I was worried sick as I took the long escalator and saw them being crashed by the crowd. The security guards have to closed the gate of the lobby. Fans became so restless and broke the glass windows (where they displayed posters and still photos) . Inside, It was crowded, hot and wild. We were seeing a more mature Vilma Santos. Nilinaw ng pelikula ang mga personal at pang- ekonomiyang salik na naghatid sa pangunahing tauhan tungo sa pagpuputa at inilalantad ang bunga nito gaya ng madamdaming pagsasadula ni Vilma Santos. Nang muli silang magkita ng kasintahan, ibang babae na ang kanyang nakatagpo, mas may tiwala sa sarili at mulat na sa kalakaran ng mundo. Nakakaantig ang transpormasyon ng kanyang karakter mula biktima ng nasawing pag- ibig at di- makalingang propesyon tungo sa pagbabago at paninindigan ng kanyang pagiging babae. Mapangumbinsi rin ang pagganap ni Christopher de Leon dahil sa kanyang sensitibong pagpasok sa katauhan ng isang abogadong makiling sa sistema ng batas. Sa unang tingin, tila makababae ang punto de bista ng Pakawalan Mo Ako dahil sa paglalahad ng babae bilang biktima pa rin ng ispontanyong reaksiyon ni Bernard, ang lalaking nagnanasa sa kanyang katawan. Subalit madulas ang daloy ng iskrip nina Pete Lacaba, Mao Gia Samonte at Iskho Lopez, konsistent ang disenyong biswal at sinematograpiya. Malinis ang editing at akmang- akma ang musika. Ngunit habang hinihimay ang naratibo, unti- unting natuklasan ang melodramatikong proposisyong ipinapakain ng pelikula. Isang proposisyong taliwas sa pagnanasang patuloy na makibaka, magmahal at mabuhay. Tila nga lalong tumataas ang career ni Gigi (her monicker in real life). Bukod sa “Pakawalan,” lumabas din siya sa “Rosang Tatak” at sa highly successful na first directorial job ni Bembol Roco, ang “Asal Hayop. ![]() Find Jalousies, shutters and roller blinds on the map of Minsk: addresses, phone numbers, business hours. Title: Jalousies () 6.8 /10. Want to share IMDb's rating on your own site? The half-closed jalousies darkened the room pervaded by the smell of fresh whitewash. Synonyms for jalousies at Thesaurus.com with free online thesaurus, antonyms, and definitions. Dictionary and Word of the Day. Jalousies Synonyms, Jalousies Antonyms . Definition from Wiktionary, the free dictionary. Jump to: navigation, search.Wooden jalousies were chosen in 1946 by Ian Fleming for his Jamaica estate, Goldeneye. Glass jalousies viewed from outside. A jalousie window US /. Search 64 million royalty-free stock photos, EPS vector art illustrations and HD video footage. Download creative files from $0.74! The best creative source for. Explanation of jalousie. Betteou la personnification de la jalousie (1) Des jalousies variees. Petits meurtres en famille - S? Sans aucun rapport, malgr. 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